Nick Kent: The Dark Stuff – Selected Writings on Rock Music 1972-1993

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Kent’s writing predominantly covers the lives and music of rock-and-roll musicians.

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In The Dark Stuff – Selected Writings on Rock Music 1972-1993  Nick Kent profiles twenty-two of the most gifted and self-destructive talents in rock history. From Brian Wilson to Syd Barrett, the Rolling Stones to Neil Young, Iggy Pop to Lou Reed, he offers intimate portraits that are unimaginable in the world of today’s market driven music business.

In the mid-70s, Kent played guitar with an early incarnation of the Sex Pistols, and performed briefly with members of the early punk band London SS, under the name Subterraneans.

Brian James, later of The Damned, said of him: “Nick is a great guitarist, he plays just like Keith Richards.
He’s always trying to get a band together but he just can’t do it. Nerves, I guess. It’s a shame, though, because he loves rock ‘n’ roll and he’s a great bloke.

Kent’s relationship with the punk scene was strained.
Already a well-known music critic and a symbol of the music industry, he was assaulted by Sid Vicious with a motorcycle chain in the 100 Club.

Along with his contemporaries, such as Paul Morley, Charles Shaar Murray, Paul Rambali and Danny Baker, Kent is widely considered one of the most important and influential UK music journalists of the 1970’s.

He wrote for the British music publication New Musical Express, moving to The Face later on in his career. 

Kent also had bad relations with the early punk incarnation of Adam and the Ants, starting with his NME review of the soundtrack album to Derek Jarman’s film Jubilee in which Kent labelled Adam Ant a Nazi sympathiser on account of the featured song “Deutscher Girls”.

Kent is the author of two books: The Dark Stuff – Selected Writings on Rock Music 1972-1993, a collection of his journalism and Apathy for the Devil

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